Made in Dagenham

Working in extremely impoverished conditions and for long arduous hours, the women at the Ford Dagenham plant finally down tools in 1968 when they are reclassified as “unskilled”. With humour, common sense and courage they take on their U.S. paymasters, an increasingly belligerent local community, and finally the government itself, to strike an everlasting blow for equal pay for women. The catalyst for the women’s struggle is fast-talking, no nonsense Rita whose fiery temper and occasionally hilarious unpredictability proves to be a match for any of her male opponents.

Midnight’s Children

At the stroke of midnight on August 15, 1947, as India proclaims independence from Great Britain, two newborn babies are switched by a nurse in a Bombay hospital. Saleem Sinai, the illegitimate son of a poor Hindu woman, and Shiva, the offspring of wealthy Muslims, are fated to live the destiny meant for each other. Their lives become mysteriously intertwined and are inextricably linked to India’s whirlwind journey of triumphs and disasters.

UK co-producers with Hamilton Mehta Productions.

Byzantium

Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret—they were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequences.

Great Expectations

Young orphan Pip is given a chance to rise from his humble beginnings thanks to a mysterious benefactor. Moving through London’s class ridden world as a gentleman, Pip uses his new found position to pursue the beautiful Estella; a spoilt heiress he’s loved since childhood. Yet the shocking truth behind his great fortune will have devastating consequences for everything he holds dear.

Hyena

Michael Logan (Peter Ferdinando) is a complex mix of high-functioning addict and corrupt police officer whose world is changing thanks to a recent influx of ruthless Albanian gangsters who are threatening to change London’s criminal landscape. Michael’s razor sharp instincts have always kept him one step ahead, but now his increasingly self-destructive behaviour and the sheer brutality of the new gang lords find Michael in a spiralling descent of fear and self-doubt.

Carol

Set in 1950s New York, two women from very different backgrounds find themselves in the throes of love in CAROL. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change.

A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens.

While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) threatens her competence as a mother when Carol’s involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) comes to light. As Carol leaves the comfort of home to travel with Therese, an internal journey of self-discovery coincides with her new sense of space.

Youth

Fred and Mick, two old friends approaching their eighties, are enjoying a vacation in a lovely hotel in the foothills of the Alps. Fred, a retired composer and conductor, has no intention of returning to his music career which he dropped a long time ago, while Mick, a director, is still working, hurrying to finish the screenplay of his latest film. Both friends know that their days are numbered and decide to face their future together. But unlike them, no one else seems worried about the passing of time…

A UK co-production with Indigo Films.

Their Finest

1940, London, the Blitz; with the country’s morale at stake, Catrin (Gemma Arterton), an untried screenwriter, and a makeshift cast and crew, work under fire to make a film to lift the nation’s flagging spirits; and inspire America to join the war. Partnered alongside fellow screenwriter, Buckley (Sam Claflin) and eccentric actor Ambrose Hilliard (Bill Nighy), the trio set off to make a film that will warm the hearts of the nation and capture the imagination of the American population. THEIR FINEST, based on Lissa Evans’ novel, ‘Their Finest Hour and a Half’, is a witty, romantic and moving portrayal of a young woman finding her way, and her voice, in the mayhem of war… and the movies!

The Limehouse Golem

Set on the unforgiving, squalid streets of Victorian London in 1880, our tale begins in the baroque, grandiose music hall where the capital’s most renowned performer Dan Leno (Douglas Booth) takes to the stage.

The whimsical thespian performs a monologue, informing his dedicated audience of the ghastly fate of a young woman who had once adorned this very stage, his dear friend Elizabeth Cree (Olivia Cooke); for the beguiling songstress is facing up to her forthcoming death by hanging, having been accused of murdering her husband John Cree (Sam Reid).

Lizzie’s death seems inevitable, until Detective Inspector John Kildare (Bill Nighy) is assigned to the case of the Limehouse Golem – a nefarious, calculating serial killer, murdering innocent, unconnected victims, leaving behind barely identifiable corpses – and his distinctive signature in blood. All is not what it seems and everyone is a suspect and everyone has a secret

On Chesil Beach

It is summer 1962, and England is still a year away from huge social changes: Beatlemania, the sexual revolution and the Swinging Sixties. We first encounter Florence and Edward, a young couple in their early twenties, on their wedding day. Now on their honeymoon, they are dining in their room at a stuffy, sedate hotel near Chesil Beach in Dorset.

Their conversation becomes more tense and awkward, as the prospect of consummating their marriage approaches. Finally, an argument breaks out between them. Florence storms from the room and out of the hotel, Edward pursues her, and their row continues on Chesil Beach. From a series of flashbacks, we learn about the differences between them – their attitudes, temperaments and their drastically different backgrounds.

Out on the beach on their fateful wedding day, one of them makes a major decision that will utterly change both of their lives forever. ON CHESIL BEACH is a powerful, insightful drama about two people, both defined by their upbringing, bound by the social mores of another era.

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