Viv Albertine’s memoirs to be adapted for TV

Viv Albertine, the guitarist with the Slits who was at the core of the British punk movement, is to have her life story adapted for a television series.

A deal has been struck with producers Stephen Woolley, Elizabeth Karlsen and Rachael Horovitz for the rights to develop Albertine’s candid hit memoirs – Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys (2014) and To Throw Away Unopened (2018).

‘Mothering Sunday’: Odessa Young, Josh O’Connor, Olivia Colman & Colin Firth Set For Drama From ‘Carol’ Producers & ‘Succession’ Scribe — Cannes

EXCLUSIVE: Rising actress Odessa Young (Assassination Nation), BAFTA-nominee Josh O’Connor (The Crown), Oscar-winner Olivia Colman (The Favourite) and Oscar-winner Colin Firth (The King’s Speech) are set to star in drama Mothering Sunday for Carol producers Number 9 Films.

The blue chip period-drama becomes one of the hottest UK projects at the Cannes virtual market where Rocket Science is launching world sales.

Eva Husson (Girls Of The Sun) will direct from Succession and Normal People scribe Alice Birch’s adaptation of Graham Swift’s acclaimed novel.

Shochiku Backs U.K.’s Number 9 Films With First-Look Deal

Number 9 Films has signed a first-look distribution deal for its films in Japan with Japanese studio Shochiku, the British independent announced Wednesday. As part of the multi-year deal, which will focus on Number 9’s slate of theatrical films, Shochiku will contribute to the production company’s overhead as well as development funding.

Elizabeth Karlsen & Stephen Woolley – Outstanding British Contribution to Cinema

With one win and nine nominations between them, Stephen Woolley and Elizabeth Karlsen are certainly no strangers to BAFTA voters. Yet that’s only a part of the story. From The Company of Wolves (1984) and Mona Lisa (1986) to Little Voice (1998) and Carol (2015), the producing partners have shown a staunch commitment to independent cinema that has been celebrated by audiences, critics and awards bodies alike. Despite this, the news they had been chosen to receive BAFTA’s Outstanding British Contribution to Cinema award came as a shock. “We were thrilled, honoured and pleased for everybody who’s been associated with our films and us,” says Woolley. “Our career has been about making films without money under a kind of duress, and yet through that process we’ve been able to make some good movies.”